Monday, May 29, 2006

Dean Ween & Star Wars dot com

Dean Ween talks to Star Wars.dom

Ween Tour Dates
and some other stuff

Before PONG there was...

.....Ed Hall. It is unfortunate I did not know about Ed Hall, but I am glad Jay introduced me to PONG.

Back in 2003 Ed Hall did a reunion show with both drummers. Check it out here from Fishtankonia.

Chad: What are you and Jay watching?
Cookie: The Ed Hall reunion clip. Y’know, the show we missed in Austin that Jay went to...
Chad: Oh Jay, sorry we didn’t go to the Ed Hall reunion show.
Jay: Don’t apologize to me. I’m not sorry.
Cookie: laughing


Gnarls Barkley Live on Conan

Does that make me Craaaaazzzyyyy?

Friday, May 26, 2006

Fly Like an Eagle

A sexy interview....

Originally published by Houston Press 2006-05-25
©2005 New Times, Inc. All rights reserved.

Fly Like an Eagle
Jesse Hughes proves too sexy for his band, too sexy for his band
By Annie Zaleski

Who / What:
Eagles of Death Metal
Music Genre:
Saturday, May 27
Warehouse Live, 813 St. Emanuel, 713-225-LIVE

When the Eagles of Death Metal were touring with the Strokes in April, mistaking them for a headlining act was all too easy. Raucous audiences raised devil horns and beers alike for the band's sleazy, sexed-up tunes; think the Rolling Stones having a forbidden tryst with glam rockers and Foreigner. Vocalist Jesse Hughes (whose porn-star mustache, aviator shades and tight shirts make him resemble the Village People's cop) leered about "ladies" and tossed off a suitable number of F-bombs, as hulking Queens of the Stone Age front man Josh Homme (who co-founded the group) drummed furiously behind him.

When reached in NYC, Hughes and the rest of the Eagles -- sans Homme, who isn't on this current tour -- are en route to their hotel, the night before an appearance on Late Night with David Letterman. But the facial-hair-laden front man still took the time to discuss the genesis of their new CD, Death By Sexy, and to prove himself an appropriately alluring phone conversationalist.

Jesse Hughes: How you doin', baby?

Annie Zaleski: I'm doing pretty good.

JH: You sound pretty good, can I just say that right now?

AZ: Thank you very much, I've been told that before...

JH: Well, it's easy to say, 'cause it's true.

AZ: People are into this record.

JH: Oh, thank you. We had a lot of fun recording it, it was the best album I've ever been a part of so far.

AZ: What made it the best one?

JH: I got to get a little sexier on it. And so far it seems like girls really like dancing to it, and that's really why I did it.

AZ: That's the best rock and roll music, when you get people to shake their asses.

JH: That's the whole point. When you get a big boy party -- I'm not putting anyone down -- but if it's like Limp Bizkit or Syndrome of a Down or whatever they're called, it's a big boy party and it's a bunch of sweaty dudes. But if you really focus just on girls, let them smile and have a good time and remind them how beautiful and wonderful you think they are, then boys are happy and everyone's having a good time.

AZ: People are really getting what you guys are doing. I think on the first record, people were almost like, "Oh, ironic rock, like the Darkness."

JH: There's very little ironic about us. There's very little complicated about us. We have a formula: Go on stage, shake your dick as hard as you can, and hopefully everyone will like it.

AZ: You recorded the record in 12 days.

JH: That was a wild recording process. I don't think I slept the entire 12 days. That's no joke. It was a lot of little rock and roll beauties and sweet baby girls and sugar bears running in and out of the studio. There was a lot of that kind of action taking place. We had a lot of great moments of, I don't know, studio magic...Hey, I'm going into a tunnel now, baby, so don't go anywhere, girl. You can still hear me?

AZ: Yup, I can hear you.

JH: We had these great moments of inspiration where...we were mostly an ingredient along with drugs and everything else in making this album. It's hard to pinpoint something I could tell you without being arrested. [to bandmates in background] What do you guys think was the greatest part about recording the album? [background talking] Yeah, the couch was great. Just being in Sound City, which is where they recorded Fleetwood Mac's Rumours. Also I set up my vocal booth exactly where Rick Springfield recorded "Jessie's Girl," so I was trying to capture some of that magic.

[Connection is lost, and Jesse has to call back.]

JH: Annie, I lost you, I was so sad.

AZ: It's all good. You out of the tunnel?

JH: Yes, baby, we're out of the tunnel. I gotta tell you, I'm actually a little nervous because you sound really hot and you have such a great speaking voice, it keeps throwing me off. [laughs]

AZ: I used to do radio in college; people used to tell me to do radio full time.

JH: I just want you to be my phone girl. [laughs] Please, baby, let's just go out on the phone.

AZ: Speaking of that, is your album cover an homage to Loverboy?

JH: Wow, that's really funny you should say that. That's specifically what inspired it, that and Sticky Fingers and Too Fast for Love. The Loverboy is the pose. I came up with that idea. It was like, what was Loverboy fucking doing anyway? Who are they advertising to, a dude in pink hot pants? Give me a fucking break.

AZ: Did you always know you wanted to be in a band?

JH: It's weird, I always had a feeling, I always had a sensation. But my passion was always in politics. I was obsessed with music as a child; my first concert was KISS, my daddy was a rock and roller. I loved the Rolling Stones from the time I was a little boy, T. Rex. I loved Fleetwood Mac. Politics was my passion. I graduated from Clemson University with a degree in journalism. I worked for Gannett News Service, I worked for the Associated Press. I finally ended up back home working for our hometown paper, The Desert Sun, doing some political work for Sonny Bono and his wife, Mary. I got married, had a kid, yadda yadda. Then I got divorced and it was a very horrific, horrible, life-changing divorce. I lost, like, 60 pounds, my friend Josh showed up and said, "Hey, you want to make a record?" So I wrote the first record in, like, a week.

AZ: That's, like, every journalist's dream. "All right, I'll become a rock star."

JH: I was 30 years old, I had nothing to lose. It was like rock and roll called me. I woke up and I had this amazing mustache overnight, a pair of leather gloves, a cape and black leather boots. And I don't even really, honey, know where they came from.

AZ: People do sleep-walking and sleep-driving. Maybe you did sleep-shopping.

JH: The gods of rock bestowed it to me. The cape was made by the gods of rock themselves, I'm pretty sure.

AZ: What is the care of your mustache? It seems the focal point of your look.

JH: It's my Samson hair, baby. I don't really know if you can characterize it as a mustache. I think technically it's a soft boomerang of love. I don't wear one; I own it. Like Tom Selleck, Sam Elliott, baby.

AZ: That's quite a mustache to aspire to.

JH: It's like, "Dude, I'm a man, check it out." That's what it's about, baby. [laughs] What did you think when you saw it in St. Louis?

AZ: I was kind of like, honestly, you look like an extra actor from CHiPs.

JH: Totally. I like to think of myself as an up-and-coming star in the adult industry.

AZ: I can see that, too. Well, you are infiltrating a different kind of TV with the TV commercials [for Wendy's, Payless Shoes, etc.].

JH: This really ain't no Bible study, we didn't come here to save whales, this is rock and roll. We came here to have a good time and hang out with ladies.

Thursday, May 18, 2006

Wednesday, May 10, 2006

Sonic Youth in Stars Hollow

Watched the season finale of Gilmore Girls last night. For reasons I've mentioned before.
No dramatic cliffhanger. Eh?
The episode featured folk singers performing in and around Stars Hollow .

Sonic Youth
performed with their daughter Coco playing bass on "What a Waste".